Prabhas vs. The Nun? Why The Raja Saab is Still Ruling OTT Charts Despite Horror Biggies!
Everyone is talking about how the “global horror wave” is finally hitting Indian streaming screens with the arrival of the new Conjuring installment, but the real story is that Prabhas just looked the devil in the eye and told him to wait in line.
It is Friday, 13 February 2026, and while the weather in Hyderabad might be cooling down, the digital charts are absolutely melting. You would think a massive Hollywood franchise would easily snatch the #1 crown on a weekend like this, but the “Rebel Star” fan base has other plans.
The mood in the OTT industry right now is pure chaos. Usually, when a major Western horror flick drops, everything else fades into the background. But The Raja Saab is proving to be a “glitch in the matrix” for streaming algorithms.

Despite being out for weeks, it is currently holding the top spot in India and several other territories. It seems like the combination of Prabhas’ vintage charm and a quirky horror-comedy vibe is a much stronger drug for the Indian audience than any jump-scare Hollywood can throw at them.
People aren’t just watching this movie; they are living it through memes, reels, and repeat viewings. We are seeing a massive shift in how “mass” cinema works in the digital age.
This isn’t just about a hero beating up fifty guys; it’s about the “Dopamine Gap” of seeing a superstar like Prabhas handle ghosts with a wink and a smile. The contrast between the dark, atmospheric horror of the Conjuring world and the colorful, loud, and unapologetically “Indian” spirit of The Raja Saab is what’s driving this trend.
The Raja Saab 2026Day 35
According to a report by Variety India, the viewership numbers for The Raja Saab saw a 25% spike over the last 48 hours alone.
The source suggests that this is a classic case of “counter-programming” where the audience, tired of the heavy, depressing tone of typical horror, is flocking toward something that offers both chills and laughs. It is a win for the director Maruthi, who has managed to blend these two contrasting genres into a recipe that feels tailor-made for the “vibes” of the current generation.
The scale of this dominance is unprecedented for a film in its third week of streaming.
As per Pinkvilla’s latest data, The Raja Saab is currently outperforming even the latest Bollywood releases on major platforms. While Hollywood movies usually struggle to maintain a “Top 3” position for more than a few days in the Indian market, Prabhas has built a wall that even a demonic nun can’t climb.
The film’s soundtrack, specifically the remix of the legendary Ninnu Kori song, is still trending on the “Viral 50” charts, acting as a constant reminder for people to go back and watch the film one more time.
This isn’t just luck; it’s a calculated masterstroke of “rooted storytelling.” The Hollywood Reporter confirmed in a recent feature that Indian audiences are increasingly preferring “local flavors” even when high-quality international content is available at their fingertips.
The film’s success is a testament to the “Pan-India” reach that Prabhas has cultivated since the days of Baahubali. He isn’t just a Telugu star anymore; he is a national habit. Every time he appears on screen in that vintage long-hair look, the “Dopamine” levels of his fans just skyrocket.
We are also seeing a lot of “cross-viewing” happening. Many users are reportedly starting their night with a scary scene from The Conjuring and then switching over to The Raja Saab to “lighten the mood” before they go to sleep. It’s a hilarious pattern that shows exactly why the film is staying relevant. It has become the “comfort food” of Indian OTT. As reported by Collider, the streaming giant hosting the film has already extended its marketing budget for another month, seeing how the engagement levels refuse to drop.
The visuals of the film, especially the “royal palace” sets, are being praised for their “OTT-ready” quality. They look rich, they look expensive, and on a 4K screen at home, they feel immersive. It’s that signature “mass-class” balance that few can pull off.
While the Conjuring universe relies on what you don’t see to scare you, The Raja Saab puts everything on the table—the action, the romance, the comedy, and the ghosts. It’s a full meal, and in the world of content, the biggest plate usually wins.
I think this is fantastic news for our industry. It proves that we don’t need to copy the “Hollywood style” of horror to be successful. We have our own rhythm. Prabhas is currently in a phase where he can do no wrong, and by picking a genre like “Horror-Comedy,” he has shown that he knows exactly what the audience wants during their weekend “chill” time.
Is The Raja Saab a perfect movie? Maybe not. But is it more entertaining than a recycled Hollywood sequel? For an Indian viewer, 100% yes. This OTT dominance is a wake-up call for global studios: you can’t just drop a “brand name” and expect to win in India anymore. You have to beat the “Rebel Star” first.
Original Source: First reported by Variety India.
Question For You: Would you rather spend your Friday night getting scared by The Conjuring or laughing and cheering for Prabhas in The Raja Saab? Tell me your pick in the comments!
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