Regional Breakdowns: Which Cities/Regions Bolstered The Taj Story’s Collection

Mumbai, 12 November 2025: Paresh Rawal’s latest courtroom drama, The Taj Story, is slowly making its mark at the box office. The movie was released on October 31, 2025. It had a modest start. But thanks to strong word-of-mouth, the film saw good growth in its first two weeks.

The film’s total collection is now close to the ₹16 crore mark. This is a respectable number for a non-star-driven content film.

What is interesting is not just the total collection, but where the money is coming from. The film’s success story is not the same across all of India. Some cities and regions have really bolstered The Taj Story’s collection, proving to be the backbone of its earnings.

The Urban Strongholds: Where the Film Shines

The Taj Story is a film that raises questions about the history of the Taj Mahal. It is a serious courtroom drama. This kind of movie usually finds its biggest audience in big cities. These are the places where people go to multiplexes and value content-rich cinema.

The box office numbers confirm this trend. The film’s major collections are coming from three key urban belts:

• Mumbai Metropolitan Region (MMR): This region, which includes Mumbai city and surrounding areas, has been the highest contributor to the film’s earnings. The trade reports show that Mumbai’s occupancy rates have been consistently strong, especially during the second weekend. The audience here seems to appreciate the film’s thought-provoking subject and Paresh Rawal’s performance.
• National Capital Region (NCR): The Delhi-NCR region, which covers New Delhi and nearby cities, is the second-most important area. Along with Mumbai, the NCR region recorded the highest number of shows for the film. The consistent footfall here shows a solid audience base for this kind of political and historical drama.
• Pune & Bengaluru: These two cities have also given fantastic support. Pune has shown very high occupancy rates, sometimes even topping the charts among major cities on specific days. Bengaluru, despite being a southern city, has also contributed well. This proves that metropolitan crowds across India are interested in the film’s core issue and its execution.

The success in these cities shows that urban, educated multiplex audiences are the main driving force behind The Taj Story.

Understanding the Regional Breakdowns

Let us look at the occupancy data. Occupancy is the percentage of seats filled in a show. It is a good way to see how popular a film is in a specific region.

For The Taj Story‘s second Saturday (Day 9), the occupancy rates clearly highlighted its strong areas:

• Pune: Recorded one of the highest overall occupancies, often above 25%.
• Bengaluru: Showed a massive interest, with occupancy sometimes going as high as 34% or more.
• Mumbai: Maintained a very healthy occupancy of over 21%.

The X-Factor: The Reason for City Success

Why are these specific cities performing so well?

1. Content Appeal: The film is a courtroom drama starring veteran actor Paresh Rawal. This genre, focusing on dialogue and plot over action, has a natural appeal for the multiplex-going audience in metros.
2. Word-of-Mouth (WOM): The film’s steady growth, especially on its second weekend, proves that positive word-of-mouth is the main engine. In big cities, this WOM spreads quickly through social media and peer recommendations, helping the film hold well, even against new releases.
3. The Political Connection: The movie’s subject—questioning the history of a national monument—is a hot topic. This draws attention and creates debate, especially in politically and socially active urban centres.
4. Maharashtra’s Love: The exceptional performance in Mumbai and Pune suggests a special connection with the Maharashtra audience. This could be partly due to the presence of Marathi actress Amruta Khanvilkar in the cast, which helps to pull local crowds.

The Missing Links: Regions Where the Film Is Slow

While the metropolitan areas are cheering for The Taj Story, its performance in the mass centers and smaller cities has been slower.

The film has fewer screens and lower occupancy in regions like Gujarat, Rajasthan, and parts of Central India. These areas prefer big-budget action or comedy films. The Taj Story‘s serious subject does not have the same pull there.

Despite this, the consistent collection from key cities has kept the movie afloat.

The Final Verdict

The Taj Story is not a blockbuster, but it is a steady success story. Its run is a clear example of how content-driven films find their home in India’s big cities. Mumbai, Delhi-NCR, Pune, and Bengaluru are the true heroes that have ensured the film’s success. They have given The Taj Story the numbers it needs to get closer to the profit zone. The film’s future will depend on how long these urban centers continue to support it.