Robinhood Box Office Collection Day 1

The first-day collection of the “Robin Hood” 2025 Tamil movie is between ₹1.5 crore to ₹2 crore in India, and Robinhood Worldwide Day 1 Collection is around ₹5 crore, but this includes overseas earnings, which are harder to pin down precisely. Keep Reading For Our Detailed Analysis.

Detailed Analysis of Robinhood’s Day 1 Box Office Performance

This report provides a comprehensive overview of Robinhood’s box office collection on its first day of release, March 28, 2025, based on available data from various sources. The film, a Telugu-language action comedy directed by Venky Kudumula and starring Nithiin and Sreeleela, was released amid moderate expectations and faced competition from other regional releases.

Occupancy and Regional Performance

The film saw an overall Telugu occupancy of 19.36% on its opening day, with variations across regions. For example, Hyderabad had a 27.33% occupancy, while Bengaluru was lower at 10%. This indicates mixed audience turnout, particularly in key markets. (Source)

North American Contribution

An interesting detail is the film’s performance in North America, where it earned around $75,000 on Day 1, contributing roughly ₹0.62 crore to the worldwide total. (Source)

Box Office Collection Estimates

The box office collection on Day 1 shows significant variation across sources, primarily due to differences in reporting net vs. gross collections and whether the figures are for India or worldwide. Here’s a breakdown:

• Republic World reports an opening of ₹2 crore without specifying net or gross, adding to the ambiguity.
• An X post from @TrackTwood suggests a worldwide gross collection of ₹5 crore, which includes overseas earnings. This figure aligns with North American data, where the film earned around $75,000 (approximately ₹0.62 crore at current exchange rates), contributing to the global total.

Given these figures, it seems likely that India’s gross collection is around ₹3-4 crore, with the net being ₹2 crore, assuming standard industry sharing terms (e.g., 50% theater share). The worldwide gross of ₹5 crore appears plausible if overseas collections, particularly in North America and other Telugu-speaking diaspora markets, add the remaining amount.

Occupancy and Audience Turnout

Occupancy rates provide insight into audience interest. On March 28, 2025, Robinhood had an overall Telugu occupancy of 19.36%, with detailed regional breakdowns as follows:

Hyderabad and Vizag-Visakhapatnam showed stronger turnout at 27.33% and 27%, respectively, while Bengaluru and NCR had lower occupancies at 10% and 4%, reflecting regional variations in audience interest. Night shows had 0% occupancy, likely due to the late reporting time (11:47 PM IST on March 28, 2025), as most screenings would have concluded by then.

Advance bookings provide a glimpse into pre-release interest. An X post from @TrackTwood
indicated that Day 1 all India bookings grossed ₹0.74 crore, with 47,358 admissions across 1,400 shows tracked. This figure suggests a decent start but highlights the need for strong word-of-mouth to boost walk-in audiences, as the film’s opening was described as needing “a big WOM” to perform better.

The film’s North American performance is notable, with an X post from @Venky_BO
reporting Day 1 hourly gross at $20,398 from 112 locations, heading towards a near $75,000 day. This translates to approximately ₹0.62 crore, showing a small but significant contribution from the diaspora market. The USA premiere advance sales were $55,738, indicating potential for walk-in audiences to push the total higher.

Conclusion

In summary, Robinhood’s Day 1 box office collection appears to be around ₹2 crore net in India, with gross estimates ranging from ₹1.5 crore to ₹4 crore, and a worldwide gross potentially reaching ₹5 crore, including overseas earnings like ₹0.62 crore from North America.

The occupancy rates and regional variations highlight mixed audience reception, with stronger performance in Telugu-speaking states. The discrepancy in reported figures underscores the complexity of box office reporting, particularly in distinguishing net and gross collections.