Good Bad Ugly Box Office Collection Day 11
This post explores the anticipated day 11 box office performance of “Good Bad Ugly”, released on April 10, 2025, both in India and worldwide.
Good Bad Ugly 11 Days Box Office Collection
| Day | Box Office net Collection |
|---|---|
| Good Bad Ugly Box Office Day 1 [1st Thursday] | ₹ 29.25 Cr |
| Good Bad Ugly Box Office Day 2 [1st Friday] | ₹ 15 Cr |
| Good Bad Ugly Box Office Day 3 [1st Saturday] | ₹ 19.75 Cr |
| Good Bad Ugly Box Office Day 4 [1st Sunday] | ₹ 22.3 Cr |
| Good Bad Ugly Box Office Day 5 [1st Monday] | ₹ 15 Cr |
| Good Bad Ugly Box Office Day 6 [1st Tuesday] | ₹ 7 Cr |
| Good Bad Ugly Box Office Day 7 [1st Wednesday] | ₹ 5.55 Cr |
| Good Bad Ugly Box Office Day 8 [2nd Thursday] | ₹ 5.3 Cr |
| Good Bad Ugly Box Office Week 1 Collection | ₹ 119.15 Cr |
| Good Bad Ugly Box Office Day Day 9 [2nd Friday] | ₹ 5.75 Cr |
| Good Bad Ugly Box Office Day Day 10 [2nd Saturday] | ₹ 6 Cr |
| Good Bad Ugly Box Office Day Day 11 [2nd Sunday] | ₹ 6.75 Cr |
| Total | ₹ 133.62 Cr |
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Good Bad Ugly Day 11 Occupancy
On the 11th, the 2D occupancy report of Tamil film ‘Good Bad Ugly’ showed mixed reactions across key sectors.
The film had a total audience of 32% in Chennai, while the morning show had a 32% audience. A total of 600 screenings were held in these theatres. In Bengaluru, only 11% attendance was recorded and a total of 240 screenings were held. In Madurai, the film got 24% audience, where 110 screenings were held.
It achieved a 20% occupancy rate in Coimbatore and screened a total of 207 shows. Attendance was also good in Puducherry, where 32% audience attendance was recorded with 46 shows.
In Salem, the audience in the halls reached 25% and a total of 65 screenings were held. In Vellore, 38 shows were screened, with an audience of 22%. Meanwhile, despite only 8 screenings being held, Dindigul had the highest attendance – 64%.
In Kochi, the film had a 14% occupancy rate with 38 screenings. Trichy screened 47 shows with an occupancy rate of 43%. Thiruvananthapuram recorded a 15% attendance, with 46 screenings.
In Mumbai, the film achieved a 12% occupancy rate and was released on 24 screens. Finally, the film had a 13% audience share in the National Capital Region (NCR), with a total of 10 screenings in the region.
Overall, the film’s box office collection was mixed regionally, with some cities seeing good attendance and others seeing poor reception.
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