Namit Malhotra’s Ramayana officially entered mainland China’s censor clearance process ahead of a Q1 2027 theatrical rollout across China, Japan, South Korea, and Russia. That January-to-March target window comes while Ramayana: Part 1 sits at Rs 1,227 crore worldwide on Day 10, pushed by Rs 815.66 crore gross in India and Rs 30 crore overseas on its second Saturday alone.
Ramayana: Rise of a Legend ↗
Yet the real East Asian market test actually started days earlier on November 12, when the Ranbir Kapoor, Sai Pallavi, and Yash starrer opened in Hong Kong theatres in Hindi with Chinese and English subtitles.
If you follow Indian overseas distribution, you know mainland China’s regulatory queue can stall any foreign spectacle for months without warning.
Hong Kong skips that bottleneck completely. Rolling out there seven days after the November 5 global debut lets Prime Focus and Monster Mind Creations track real ticket demand among Cantonese and Mandarin-reading audiences right now, months before Beijing locks in a spring date.
Director Nitesh Tiwari already carries rare goodwill in the region because Dangal pulled in roughly Rs 2,070 crore globally off its massive Chinese run.
Even with Hans Zimmer and AR Rahman on the score, however, a Hindu mythological epic faces a much steeper cultural climb than a wrestling drama. Local exhibitors in Shanghai and Beijing watch Hong Kong grosses closely before committing screens to South Asian titles.
Hong Kong isn’t a victory lap for a Rs 1,227 crore blockbuster — it’s an audition for Chinese theatre chains.
If subtitle-heavy shows hold steady in Hong Kong over the next two weeks, what screen count do you think Beijing regulators will clear for Ramayana in early 2027?
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Next article I am working on: At Rs 1,227 Crore by Day 10 Worldwide, How Much Does Ramayana Need From Q1 2027 Markets to Beat Dangal? Share your thoughts in the comments; I will add those in Next article.
Nitesh Mishra
